The Protest Cup Fellowship at NCECA
March 25-28, 2026 | Detroit, MI
The Protest Cup Fellowship centers artists and uses the familiar form of the cup to express protest and care around issues like gender, racial equity, free speech, climate change, and more. The purpose of the exhibition is to reinterpret the cup into a subversive object by means of decoration, form, and/or how the object functions.
In addition to thinking about the cups as protest objects, our exhibition is itself an anti-capitalist protest. We’re experimenting with a model of compensation rooted in equity and inclusivity–one that values both the makers and those seeking to engage with and own pottery.
Our Economic Model
Our “Protest Cup” exhibition functions as a fellowship following a profit-sharing agreement.
All artists' work will be priced the same, at $100/cup. Buyers can select the cup of their choice at the show, and pick up the cup at the end of the show on Friday afternoon, March 27. For this experiment, work can be sold for as little as $75/cup to buyers who demonstrate financial need. We are attempting to create an equitable environment for those who want to participate in collecting a cup in this experiment. This is limited to one low cost cup per customer. We will also request that buyers who are financially able, please pay more than $100/cup to offset the sliding scale.
Buyers can also choose to participate in a raffle. On March 27th, all remaining unsold pieces will be placed in a raffle to be distributed at the close of the show. Raffle proceeds will be evenly divided and used to compensate artists.
All artists will be paid as close to $50/cup as funds allow. The proceeds will be split evenly with POW!
Nala C. Turner, If We Can't Be Free, Be Braided, Cup I; Underglaze illustration, brick red engobe, wax resist and clear glaze on tan stoneware, 3.5 x 3.5 x 3”, 2026
Allee Etheridge, Pussy Mug (Blue); Wheel-thrown and electric fired to cone 5; Porcelaneous stoneware, underglaze, and commercial glazes; 3.5 x 4.5 x 3.25"
Bradley Klem, This is Fine; Porcelain, China paint, 4 x 3.5 x 3.5"
Dominique Larson, Love thy Neighbor; Hand built mug with sculpted message, chocolate clay and red glaze, 4 3/4 x 3 1/4"
Shaun Mallonga, puss pussific rim tumbler; Cone 6 oxidation-fired red stoneware, 6 x 4 x 4”
Max Parrish, Data Center Cup; Low-Fire clay, engobe, sprigs, letter stamps, 04 glazes; 5 x 4 x 4"
Justin Rothshank, Protest Cup 1; earthenware and decals, 3 x 3 x 3"
Kate Missett, Women's March/Pussy Grabs Back Mug; Wheel thrown porcelain printed with laser transfer photographs and underglazes, 6 x 6 x 6"
Gillian Parke, No Gold Crap; Porcelain with feldspar and molochite inclusions, underglaze, cobalt glaze, cone 10 gas reduction; Open-stock decals and luster overglazes, multiple cone 017 electric firing, 4 x 3 x 3"
Participating Artists
Adero Willard
Allee Etheridge
Beth Atanacio
Bradley Klem
Chase Gamblin
Corran Shrimpton
Dominique Larson
Ehren Tool
Garrett Sanders
Gillian Parke
Hannah Niswonger
Hayne Bayless
Jeffrey Lipton
Jerry Berta
Jihye Han
Justin Rothshank
Kate Missett
Kathy King
Kevin Snipes
Kyle Lascelle
Lisa Orr
Liz Vukelich
Lynx Brightly
Malcolm Mobutu Smith
Mathew Meunier
Max Parrish
Mercy Neumark
Micah Lewis-Văn Sweezie
Mike Griffin
Nala Turner
Paul Briggs
Peter Jadoonath
Quinn Terrones
Rachelle Miller
Rita Shields
Salvador Jimenez Flores
Shaun Mullonga
Stuart Gair
Vex Rios